Book Review: The Apprentice Journals

Title: The Apprentice Journals
Author: J Michael Shell
Year Published: 2013

Genre: Science fiction, Fantasy, Romance, Erotica

In the future envisioned by The Apprentice Journals, civilisation as we know it has been destroyed. Why? Because we humans were so caught up in our dead environments that we lost touch with the Elementals – spirit-like embodiments of the classical elements that make up our world. This is turn led to the Elementals forgetting all about our existence, meaning that when they had their giant, world-wide, non-human-friendly, natural-disaster-causing orgies, they sort of decimated mankind. In the new world order that emerges, some humans are born as Apprentices, people who have the power to communicate with Elementals and manipulate the elements. Apprentices to what, you ask? Well, the book never tells us. Those that “finish” their training are just called Finished Apprentices, so I’m guessing they’re Apprentices to Apprentices? Or Elementals? I don’t know. I don’t know what’s going on. And that, incidentally, pretty much summarises my experience of The Apprentice Journals.

That said, my favourite thing about the book was in fact its magic system. Superhuman powers in science fiction tend to be mental in nature and a result of some sort of mutation. Here, however, we have a post-apocalyptic world with elemental environment-based magic. It’s pretty unique and also intense. From the first page you’re plunged right into it, which can be intimidating given how technical it gets, but after the initial weirdness and learning curve you get to appreciate how intricate it is. The magic stuff plays a major part in the book, so if you hate magic then this is not the post-apocalyptic book for you.

So the main character is a white dude named Spaul. He’s an Apprentice journeying north in what remains of the good ol’ US of A, for no obvious reason, but that’s cool, maybe he’s just like drifting or whatever. Along the way he meets a girl named Pearl, who’s black, hot and mute. That’s pretty much it. Well, a lot of things happen, but it’s hard to explain what the plot is, since all the ‘events’ seem like side quests to the main plotline of this northward yet directionless journey. A lot of time is spent travelling between settlements or chilling at the beach, but there are also occasions where stuff gets really odd – so odd it feels like you’re reading a different book entirely. There are abrupt forays into what feels like different genres or different times, and while this didn’t make for a cohesive world or story, it certainly kept things interesting.

Now, there are a number of issues I had with this book.

Let’s start with race.

So apparently, even in the post-apocalyptic world of the future, we have some old world race issues. Two things in particular almost made me choke when I read them. The first is town of Tara. Taking us right back to Civil War race relations, the town is essentially a black slave ranch run by white dudes, the leader of whom has a (hot) black woman on the side. The second is the portrayal of black people. If the “negra” being slaves weren’t enough, you also have Pearl’s father and the butler guy speaking like blatant stereotypes (“Hear that you l’il sheet-eater, Mistah Kurtz Missuh ‘Prentice gonna fix yo’ feets!” p25), though to be fair, the Irish guy is also stereotyped (“Aye, and yer a fishin’ machine, Spaul! Aye’ve never seen any so fast as ye!” p 54). I mean, you can also tell that the author has an interest in language, but what he does with it is not enough. The overall approach lacks rigour and the quirky bits feel half-baked. This makes the written-in accents – only present in black people and that one Irish guy – stand out even more, which is especially egregious given this story was published just last year. There is a huge focus on race in this book and it’s a problem because the topic is handled with very little sensitivity.

Here’s where I get to the sex.

I’ll be honest: from the blurb and the cover, I’d assumed this would be a young adult novel. How wrong I was! In the very first chapter, Spaul talks about “loving” some Fierae Elementals. Throughout the course of the book, he takes part in Elemental orgies, is offered sex/daughters, causes orgies, and last but not least, has lots and lots of sex with Pearl (or to be more precise, Pearl’s body – a whole other can of worms I won’t even get into). Strangely, it’s never super explicit. There are just orgasms: orgasms everywhere. The entire book was like one big masturbatory fantasy. This wasn’t exactly what I was looking for, but hey, if you’re after some white dude/black girl magic sex in natural settings, then take note.

What makes this situation worse is the fact that Pearl is so objectified – she’s the kind of character whom everyone thinks is gorgeous and whose items of clothing are meticulously described. I may be totally off base here, but my overall impression, from the sex, the idolisation of Pearl and the handling of race issues, was that the guy has a fetish. The Spaul character brings to mind those (white) guys who think they’re progressive for being able to appreciate the ‘exotic’ beauty of ‘foreign’ (non-white) women. I don’t know if I’m just being crazy here and reading too much into things, but that was my honest impression. I often felt uncomfortable reading the book and not in a good way.

To sum, reading this novel is like stumbling upon the weird part of the Internet: it’s unlike anything else you’ve seen before, it deals with something weirdly specific (and somehow sex-related), and it’s somewhat but definitely frightening for reasons you can’t quite explain. The Apprentice Journals is undoubtedly unique. While I really liked the “atmosphere” and magic system, the (human) world-building felt lacking and I’m not sure what to make of the strange “plot”, which, by the way, ends with sequel bait. I’m also massively leery of how the author handles race issues: it’s suspect at best and racist at worst. That said, this book is certainly an interesting read if only for its strangeness.

Alex’s Rating: 2/5
(Disclaimer: I received this book for free through Goodreads’ First Reads.)

Movie Review: Oz the Great and Powerful

Movie Review: Oz the Great and Powerful

Director: Sam Raimi

Year Released: 2013

Running Time: 130mins

Classification: PG

Genre: Adventure, Kids and Family, Fantasy

I was reluctant to watch this movie. I wasn’t quite sure how the actors would sit in this genre since none (that I’ve seen) have been in this style before. I loved The Wizard of Oz as a kid and loved, even more, Wicked the musical. I didn’t want anything to ruin my memories of Oz. But, alas, it is not ruined.

Oz the Great and Powerful is not even in the same league, hence not worth being associated with The Wizard of Oz or Wicked.

The story tells how a circus magician, Oz (same as the land), played by James Franco, arrives in Oz and how his arrival changes the struggle between 3 witches (Mila Kunis, Rachel Weisz and Michelle Williams). With famous actors/actresses, magical costumes and stunning visual effects, how can this movie go wrong? Well for a start it felt more like a mini TV series than a big Hollywood film.

None of the actors/actresses delivered. This may be due to them not fitted for this genre or to the ‘shallow’ script. The characters were developed lazily and poorly, even the established characters were so basically written, there was no depth in their personality therefore I felt nothing towards them.

The worst was Oz himself, James Franco. He is an unreliable man who wants more in life but does not have the courage to achieve his ambition. He is a liar; he sleeps around, and will do anything for money. Oz is not a likable character, even till the end when all ends well and he saves the day, I was left feeling cheated and underwhelmed. He had the most reason and depth to have his character develop thoroughly but at the end of the day he is Oz 'the not so great and not so wonderful'. 

For the 3 witches, it would have been better to have shown their history rather than hear it from the characters. At least with visual aid, the ‘who’s good, who’s bad’ isn’t just merely implied but set in solid. From the movie, I did not feel the hatred between them was real since I had nothing to go by but talk.

(Side note: Am I the only one who thinks James Franco is not a good actor? Okay, so I haven’t seen 72 hours, but I’ve seen him in other movies and… nope, don’t like his acting…. Maybe it’s just me.)

The costumes stay true to the story with one exception, Theodora. She is the one dressed black pants with a purple jacket and a massive rim hat which I can only assume was chosen because it resembles a witch's hat. Her costume looks less Ozzian, and more Carmen San Diego in purple.

The visual effects were bright and stunning….. but a little too bright. The characters seemed to bounce off the screen in a ‘does not fit into the scenery’ way. Imagine the puzzle pieces that do not fit, now picture those pieces in an entirely different colour as the puzzle. This might have been done on purpose to allow a magical effect but what surprised me the most was all the animated creatures suited the background just fine. Then again I watched this movie in 2D and on a fairly modest sized screen. Maybe on the big screen it would have been different.

Having mentioned 2D, this movie was obviously made for 3D with the occasional flower or weapon diving straight into the camera. The 3D effect was less beautiful (Avatar) but more fun (Spy Kids). Watching it in 2D, I found the effects wasteful and eventually annoying. I recommend watching it in 3D.

Having ranted about the movie: the black and white introduction was a nice touch. Oz the Great and Powerful gave a respectful nod to the original film. It felt like home…..

The Wicked witch of the West was my favourite character by far. She had enough intensity in her make up and eyes to make her really evil.

This movie is enjoyable if you watch it in a kid’s perspective. I did not love the movie, but I did not hate it. I can see the enjoyment and the fun ride some people might have, and at some parts so did I, but I will not be re-watching this movie any time soon. 

Terri's rating: 2/5

Movie Review: The Host

Title: The Host

Director: Andrew Niccol

Year Released: 2013

Running Time: 125 minutes

Classification: PG-13 (M)

Genre: Science fiction, Romance, Drama

In Roald Dahl's “The Great Automatic Grammatizator”, an engineer creates a story-writing machine which is operated somewhat like a car. The “author” uses pedals and switches to control things like genre, style, humour, length and so on. But it's not as easy as it sounds; the controls must be used judiciously to ensure that the tale is fit for human consumption. It's a great little story and one which I hold in high regard.

Unfortunately, this isn't a review on Dahl's short stories. This is a review on The Host, which is a movie I do not hold in high regard. If its screenplay were produced on Dahl's machine, it would be a version of the machine where the switch for “melodrama” must have got stuck on the ON position and the “science fiction” lever degenerated to a state of advanced malfunction, leaving the plot to function on “passion” alone.

This one note over-dramatisation of everything is partly why the film is so cringe-worthy. While the premise – that aliens, known as yeerks Souls, have taken over the Earth and are using humans as hosts – sounds promising enough, potential moral and philosophical themes are ignored in favour of teen drama, usually of a romantic nature. It's the least interesting aspect of the story, yet it's the aspect that gets the most screen time. The “plot”, which involves our protagonist being hunted down by the Seeker (Diane Kruger), seems more like an afterthought to the romance.

At the very beginning of the film, Melanie Stryder (Saoirse Ronan), is one of the few “free” humans left. When she is implanted with a Soul – a white, glowing alien resembling a palm-sized bacterium with buckets of flagella – the orchestral music swells, rich with strings, ensuring that we know that this is a Beautiful and/or Dramatic Moment. The problem is that every other event in the film is also a Beautiful and/or Dramatic Moment – the scene where Melanie recalls her relationship with Jared (Max Irons), the scene where Melanie's brother (Chandler Canterbury) wonders if the real Melanie is “still in there”, the scene where Melanie sees the human refuge for the first time. So my point is, this is not one of those movies you only realise is bad at the end, or in hindsight, or part-way through. This is one of those movies that you know is bad less than five minutes in, and bad in the manner you can most certainly predict, and bad in the sense that your only reason for staying is the desperate hope it can only get better.

(...this rant review's kind of long, so I'm putting the rest under a cut)

Movie Review: Breaking Dawn Part 2

Title: The Twilight Saga: Breaking Dawn Part 2
Director: Bill Condon
Year Released: 2012
Running Time: 115 minutes
Classification: PG-13
Genre: Urban Fantasy, Romance

In the final instalment of the Twilight series, we say goodbye to Jacob's abs, Edward's sparkles and Bella's... Bella. At this point, no one's going into this film expecting cinematic brilliance, and indeed you'd be wasting your money if you had hoped this film would be “good”. For “fans”, of which I am one, Breaking Dawn Part 2 holds a number of delights/horrors; there's a big battle sequence, creepily CG'd Renesmee and Aro's laugh to look forward to. All in all, the quality here is fairly similar to the previous movies, and after four others, Breaking Dawn Part 2 gives us a sweet finish to the whole ordeal.

Breaking Dawn Part 1 (2011) ended with Bella (Kristen Stewart) being turned into a vampire by Edward (Robert Pattinson) after almost dying giving birth to human/vampire hybrid demon child Renesmee (Mackenzie Foy). We also saw Jacob (Taylor Lautner), the loser of the love triangle, “imprint” on Renesmee (kind of like falling in love, but without the creepiness, honest, because he'd never do anything like that at least not until she's legal).

In Breaking Dawn Part 2, Bella becomes an awesome vampire filled with awesome (and Kristen Stewart does look good in this movie, if you're into that), and then there's some stuff about not-telling her father, and some stuff. A vampire sees Renesmee and thinks she's a vampire, and since making children vampires is illegal, said vampire runs off to report the “crime” to the Volturi (powerful Italian vampires). As the Volturi are coming, the Cullen family recruit a bunch of X-men (only some of whom are racially stereotyped) to act as “witnesses” to prove their innocence.

The plot is pretty ridiculous and the first half or so of the movie is incredibly boring. It doesn't seem like anything is really happening, just a bunch of people standing around having conversations and it drags. Yet incredibly, it also feels rushed; we jump from scene to scene and Bella's narration is used to bridge them in a way that feels like lazy storytelling. At least the scenery looks good. I guess.

And then there's Renesmee.

(Now, there has been many an internet rant about the issues here, so I'll just stick to the movie problems.)

First, there's the whole skeevy imprinting thing mentioned above. Bella's outrage upon discovering it is pretty much token and it's the only objection that comes up in the movie (hey, it's what happens in the book). On the plus side, Jacob and Renesmee's relationship is never overtly depicted as “romantic”, unless you count the flash-fowards and some meaningful looks shared between the two that can so easily be (mis)interpreted (in my cinema, there were groans and awkward laughter during these moments, so there you go).

Second, Mackenzie Foy's face is CG'd on every actress that plays fast-growing Renesmee. And it's like.... why? Why would you do this? Why? It was creepy as hell, especially since it wasn't done very well (picture a CG-d face, semi-floating on another head, drifting slightly – just slightly – to give the impression of occasional no-chin and uncanny valley realness). Considering how well they CG'd Bella during her pregnancy and how people aren't idiots and can tell when a character is the same character despite changing actors, I just don't understand. On the plus side, it was so off-putting that it kept me awake throughout the sluggish first half.

The creepiness isn't helped by the fact that Renesmee has no discernible personality. I suppose this isn't really her fault: she doesn't really get to do anything and is often just in the background. The way she “communicates” - that is, by touching people and flashing images in their minds – comes across as some kind of brainwashing technique, and to me, she could've just as easily been an innocent child as an evil demonic creature in the guise of an innocent child. But hey, this made me enjoy the film more rather than less.

So things pick up in the last part, when the Cullens & co. confront the Volturi and their cronies. If you've read the book, you'll know how anticlimactic the climax is, and the movie manages to put a twist on it that is, dare I say, rather clever. Though it's not as epic as its soundtrack would lead you to believe, it is action-packed and unexpectedly violent. I was riveted the whole way through. It's easily the best part of the movie, barring Aro's strange laugh (see below), and for me it was totally worth watching the first half to get to this.

I can't see this movie being enjoyable for someone who isn't invested one way or another in the Twilight franchise. If you're not a fan, don't bother; if you are fan, you'll be seeing this film regardless of its reviews. Breaking Dawn Part 2 is arguably the best of the lot, but that's not saying too much. The story is what it is, the acting is so-so and the quality of the CG varies. Still, I was surprised by the whole battle sequence and I must admit that the movie overall was pretty entertaining, even if for the wrong reasons. It's certainly not a great series of films, but I couldn't help but feel a pang of nostalgia when the credits rolled, reminding us that non-Charlie humans once existed in the Twi-verse. And now, as the franchise comes to a close, everyone has the happy ending they were waiting for.

Alex's Rating: 3/5

(for non-fans, probably 2/5)

Book Review: Shade Fright

Title: Shade Fright (A Valerie Stevens novel)

Author: Sean Cummings

Year Published: 2010

Genre: Urban Fantasy

“Don’t judge a book by its cover” the saying goes. I did the exact opposite. I took one look at the comic book design cover and went for it. Can you blame me?

So this story follows Valerie Stevens who was born with a unique gift to see the preternatural world. She works for the Canadian Government who sends her to locate things or people from the supernatural world.

 In this first Valerie Stevens novel she gathers the help of her zombie best friend and the ghost of a former Prime Minister of Canada to... you guessed it, save the world.

There are many books based on characters that see the supernatural and happen to be a P.I. Even though Valerie works for the Government, she’s still an investigator of some sort.

So what makes this book appealing (besides from the cover) is the normal girl Valerie. She’s not your typical “I do not remember my past, all I know is I have powers” female character, or your “depressed vampire that wears black leather and heavy eye liner”. She is a civil servant that earns her money and pay taxes just like the next person. A person you can relate to if you minus the whole seeing the dead thing.

As the first of the Valerie Stevens Novel, it does a good job introducing the characters. It gives a solid understanding of each of them so they can move forward to the next novels.

However, I wasn’t a fan of the plot/problem Valerie had to solve. For example, Valerie had to go back to the farm (the first crime scene) 3 times before finding the truth. A lot of her information was given to her rather than her finding out. Because of this, I lost interest half way through the book. It did not make me believe Valarie was good at her job even though according to the book, she’s been doing it for awhile. She’s also not a physical fighter, more of a witch, or what she calls herself, an alchemist.

I did enjoy the little time travel and the perfect balance of romance in this book. The romance is just enough for the reader to understand the position the characters are in and enough not to overflow the actual story line. Also there is no cliff hanger at the end so readers can read this book separately rather than in a series form.

If you’re looking for a light urban fantasy book, this is the book for you. If you’re looking for something dark, you might want to give this a miss. But I expect the following novels will get darker and we will see Valerie’s power improve.

The next book to the Valerie Stevens novel is Funeral Pallor.

Terri's Rating: 2/5