Title: Poison Study, Magic
Study and Fire Study
Author: Maria V Snyder
Year Published: 2005-2008
Genre: Fantasy, Romance, Young Adult
Yelena is a convicted murderer. On the day of
her execution, she is given a choice: take the noose or become food taster for
the Commander of Ixia. Naturally, she chooses the latter. At the palace, she is
trained to taste for poisons by Valek, the Commander’s loyal and mysterious
Chief of Security. To prevent Yelena’s escape, Valek poisons her with
Butterfly’s Dust – from then on, she must return to him for a daily dose of the
antidote or else face a painful death as the Butterfly’s Dust takes effect.
So begins Poison Study, the first book in Maria
V Snyder’s Study Series (also known
as the Yelena Zaltana Novels). It’s
an interesting premise, rife with potential. As Yelena adjusts to her new life,
she meets General Brazell, father of the man she killed, and a magician from
the neighbouring country of Sitia, who senses Yelena’s magic – magic being
outlawed in Ixia. How can she stay safe? Who can she trust? There’s a lot of
tension in this novel, which gives it an enjoyable, exciting sort of mood.
Still, the lack of poisons in a book called Poison Study is disappointing. There is
only a brief period of poison taster training before the narrative drifts into
Yelena learning to fight, Yelena being suspicious of General Brazell and Yelena
taking baths. There isn’t much “plot”; the action, as it is, is mostly
character-driven. That brings me to Yelena herself. She’s an Action Girl, and
I’ll admit I didn’t like her at first – I felt she had a modern, misplaced
sense of entitlement, which was bold considering she’s easily replaceable.
However, over time, I came to appreciate her good qualities – she’s strong, frank,
hard-working and wants to help people.
One of the best parts of the book is the
romance. It’s not a surprise that Valek becomes a love interest, and the
captor/captive dynamic makes it a bit more interesting. Thankfully, there’s no
insta-love, so it was good to see their relationship actually develop. Valek
himself is painted as a devoted and manly badass, and despite his curly
shoulder-length hair (wat), he was probably my favourite character and I’m sure
many of you will swoon for him (even though he's a pretty shady guy when you think about it).
While Poison Study works as a standalone, its
sequels, Magic Study and Fire
Study do not. The plot from Magic
Study doesn’t even finish, meaning you’ll have to read Fire Study for closure. Spoiler alert: at the end of Poison Study, Yelena lives. She decides
to go to Sitia to learn to control her magic. Like its predecessor, both Magic Study and Fire Study lack actual study of magic or fire. Instead, the books
are mostly about how Yelena hunts down an evil magician who rapes, tortures and
murders girls to steal their magic.
Like many others, I felt
that the series weakened with each book. The key issue is the matter of the plot.
While the first book deals with Yelena’s struggle to survive, the next two have
her playing detective, justice-meter and all-round hero, since no one at all competent
exists in her world other than Valek. Yelena’s rape and torture in Book #1 are
harrowing, formative events. In Books #2 and #3, rape and torture are used almost
gratuitously as drama-adding plot devices. The events of Book #3 are also especially
repetitive, with a lot of people travelling around, getting captured and
stabbing or being stabbed with the paralysing substance Curare. What makes it
worse is how – perhaps due to a lack of personal stakes for Yelena – the
antagonist feels like a Monster of the Week, rather than a Big Bad, even though
their storyline stretches across two books. Also, while some characters are
likeable (eg. Ari and Janco), others are annoyingly one-dimensional (Roze) and
one character is outright spin-off bait (Opal Cowan, now featured in The Glass Series).
I had hoped that the
world would be built up a bit more, since there are so many interesting
concepts at play. It’s not often you read a fantasy set in a socialist military
dictatorship like Ixia, but other than a bunch of colour-coded uniforms, you
don’t get much exploration of the way it works. The capitalist democracy(?) Sitia,
on the other hand, gets a bit more depth in terms of the plains nomads Sandseed
clan and jungle tree-dwelling Zaltana clan – but that’s only in terms of their
lifestyle, so to speak. You don’t really see how the Sitian government works; we
only know there is a Council and that it takes them a long time to make
decisions. The only virtue of this, according to Yelena, is how it means that
no one person shoulders the blame for mistakes. Also, beggars apparently do not
exist in Ixia. Mmm… okay then. It’s a bit too simplistic for my liking, but
what can you do?
I think another reason
why the sequels aren't as loved is because there is less Valek. Valek and Yelena's romance is one of the highlights of Poison Study
and there’s less of that in the sequels. Their relationship also doesn’t seem
to develop beyond the stage of becoming a couple. I would have liked to see
Snyder explore how their previous captor/captive relationship colours their
current one, or maybe something about how Yelena feels conflicted about Valek
being an assassin of magicians (ie. people like her). But no. Instead we have one
(1) token fight where she calls him out on his murderous ways and she’s portrayed as being in the wrong. Otherwise,
every time they meet, they just banter for a bit before their clothes fall off.
FYI, after disrobing, the sex scenes comprise, at most, of a vague paragraph
about how Yelena feels Valek inside her and how their souls bond. In other
words, these scenes adhere to the Twilight
school of sexytimes writing, to give you an indication of what they’re like.
Yelena also falls victim
to Mary Sue-itis. Big time. She goes from showing magic potential in Book #1 to
gaining more and more super special snowflake abilities with each book. Worse
is how she seems to disbelieve all the things people say about her. Beautiful?
Me? Powerful? Me? Soulfinder? Me? I rolled my eyes so hard and so frequently they
almost got stuck at the back of my head. Yelena also makes decisions that don’t
seem to make sense, but of course it works out in the end because of course it
does. She flip-flops on matters of trust and she only wants to help people if
it’s done her way. However, she’s the only character with actual thoughts, so
of course she solves all the
problems, no matter how nonsensical she may be. The prime example of dumb
that’s stuck with me is how she chooses her horse. So she’s just discovered she
can talk to a horse (they think in English, apparently, only without auxiliary
verbs and without the word “I”). So... how does she think she should choose a
horsey companion? Why, by colour of course! It’s like she’s not even trying.
And of course she gets the most special horse there is.
The writing in this
series is simple. The style is easy-to-read and conversational and the chapters
are short, with a tendency to cliff-hang at the end. It’s also the only reason
I see for classifying this book as “Young Adult”, since Yelena is already nineteen
years old (and Valek’s in his early thirties) and there’s a lot of dark
material here (namely, the brutal rapes, tortures and murders). While it’s the
sort of prose that’s easy to gobble up, it also felt lazy in parts. Some things
I could forgive for being part of Yelena’s thought processes (such as a garment
being called “skirt/pants” and Valek wearing a “sneak suit”), but other words
and phrases jarred. The language is modern, with “Mr.” and “occupational
hazard” being terms I did not expect to see in this world of swords and horses.
The most striking instance of this is when Moon Man exclaims “wah-lah!”, which
I can only assume is a bastardised form of the French “voila!”. I literally
could not believe it and had to read the sentence a few times before it sank
in. One last pet peeve is how Valek takes to calling Yelena “love”, using the
word at the end of almost every sentence. Rather than sounding romantic, this
just reminds me of kindly old British groundskeepers, because I’ve learned from
TV that that’s how they speak, innit, love?
The Study Series starts off well. Poison Study is an easy, addictive read with a tantalising romance
and tense mood. However, the sequels are less captivating. Yelena becomes a
Sue, the romance stalls and the world isn’t as complex as it needs to be. The
main conflict is not uninteresting, but the repetitiveness and dumb are really
frustrating and sap the life out of things. To sum, the books aren’t
unpleasant, but they’re not particularly great either. Still, the glass magic
mentioned toward the end sounds interesting, so I may yet get sucked into
reading the author’s next series about Opal.
(Note: newer editions of
these books include a map at the start. There is also a sequel series for
Yelena in the works.)
Alex’s Rating: 3/5